Antonio V. Gelormini
the notes and diverse post-modern EPTA, with piano by Nicola Piovani and with the suite for voices, instruments and mathematical arabesques, the curtain falls - the Bari and his Nuovo Teatro Petruzzelli - on the BIF & ST 2011. In the coming days
statistics, borders and certify the final accounts perception, rather obvious, in an edition of the film festival shared, appreciated and in many ways "Exaggerated". There are many fans who wanted to enjoy the gift of ubiquity, to catch up more opportunities for the many events of a Festival, where "star were really so many films on the bill" (F. Laudadio).
A corollary to the gangway of directors, actors, producers and writers who inspired screenings, premieres, film classes, screenwriting courses or seminars on the craft of the actor, press conferences, meetings with students, reading and photographic exhibitions. That of the original Richard Ghilardi, exposed East Hotel, which shot caught in the immediate-term reaction of familiar faces in an intriguing question to surprise. Very little social life. Really want to become familiar, however, with the movie phenomenon in general. And this is a good sign.
Oscars opening and closing of the show. Giuseppe Tornatore, with the magic of film contained in the celebration "of the power of memory, useful and necessary to support the present to face the future", and the repetitiveness of the projection and the frame as a declaration of eternal love in this modern expression of art. Then Nicola Piovani that, in the wake of Rota and Morricone, is said to fascinated by the story of Verdi's musical influences and Chaplin. And paying tribute its "clearance", Mario Monicelli, reveals how the Marchese del Grillo, with fragments of works composed for the soprano of the Theatre d'Alibert, for once, has taken the plunge: "making a film with the note" rather than "contribute to the movies with his music."
the center of the cameos Carlo Verdone, Claudia Cardinale, Domenico Procacci, Gennaro Nunziante, Checco Zalone, cinema "honest" by the Taviani brothers, and Fabrizio Gifuni. What recalling the master Orazio Costa, has touched the emotional chords sum up the essence of cinema "in the recovery of the size of the game." To find the infinite potential di ogni essere umano, risalendo allo status infantile. Unica nota stonata quella di Pasquale Squitieri, suonata fuori tempo e fuori dal tempo, con arroganza irrispettosa nei confronti soprattutto degli spettatori che, al di là della forzatura tematica della pellicola (Father), hanno pagato 10 euro a biglietto per vedere una raffazzonata copia-lavoro del film presentato.
Per il 2012 già si pensa ad un’edizione del BIF&ST più in sintonia con i colori e la luce di Puglia , spostandone il calendario a marzo. Provando anche ad uscire, col dovuto rispetto, dal cono d’ombra creato dall’appuntamento storico a febbraio del Festival del Cinema di Berlino.
Tirate sums, such auspices? That there is room for complacency and take seriously the possibility of joint future issues in a more regional dimension. Apply the "floor system" to connect the circuit to the BIF ST & Author of rooms, created from the same Apulia Film Commission, to blow the wind of passion moviegoer even in local contexts as the most typical Salento, Gargano, l ' Subappennino or the hinterland of the Murguia. The sets of natural Puglia where the dream becomes daily emotion.
Also because if the bulk of resources comes from tourism, the action of promotion is good that it extends in the peripheral tissues of mosaic of Puglia. Do not mean to make do with tourism hotels fill with guests of the Festival. If promotion is to be, and that through the world of cinema is one of the most effective and "hit" in a land of Puglia, which is promoting total. It embraces the whole of the Valley Fortore the extreme point of S. Maria di Leuca.
(gelormini@katamail.com)
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