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Orchestra del petruzzelli Tchaikovsky e il tamtam del silenzio

ORCHESTRA OF PETRUZZELLI

TCHAIKOVSKY AND THE SILENCE OF TAMTAM
Antonio V. Gelormini










A note. A single note in the fourth movement, the stop 137. AND 'tamtam one played by the legendary and mysterious oriental instrument, which as a watershed event "marks the beginning of the dismal pizzicato basses, a subject on which curls downward, of resignation, which will turn off after a few bars" (R. Muti).
A single, decisive note. Metaphor that holds the key to the fourth movement, "Adagio plaintive" of the Sixth Symphony by Pyotr Ilyich Tchaikovsky, called "pathetic." Ancora una sinfonia sul tema dell’ineluttabilità del destino, che questa volta, però, non trova alcun esorcismo nella maestosità di un finale trionfante. Questa volta il fato vincerà la sua partita.
Tchaikovsky nella sua ultima sinfonia spiazza tutti. Il finale maestosamente violento lo colloca alla fine del terzo movimento. Come se volesse, in quel punto preciso, chiudere i conti col suo pubblico senza tempo. Per riservarsi una fine intimamente introspettiva, sussurrata dolcemente e intensamente fino al rapimento estremo e al silenzio senza fine.
Per una di quelle imponderabili coincidenze che la vita riserva a ciascuno, il compositore morì quando si stava eseguendo per la second time, his "Pathetique". Thus become a kind of artistic testament, that brings together all the emotional, spiritual and emotional life that had characterized his troubled life span. A romantic slash of light on the fragile fabric of the existential Russian musician, marked by shadows and tones from the wording of Caravaggio.
Further evidence of maturity of the Orchestra della Fondazione Lirico Sinfonica Petruzzelli, that under the wrist and the baton of Renato Palumbo demonstrates an early growth and "the great artistic value" appreciated by the same director. Artistically now home to Bari
Again solo female protagonist and Mozart on the stage of Symphony Politeama Bari. This time it happened to Martina Repetto, principal horn of the Orchestra of Pteruzzelli, breath and give shade to his unusual instrument from the corner Concerto No 3 for horn and orchestra K 447 by Wolfgang Amadeus Mozart.
Finally a proven development process even in the jurisdiction of the public who knowingly carried away from the excitement thcaikovskyano trap at the end of the third movement of the "Pathetique". Hope that turns off the unusual silence that ends the symphony, you turn in the long and warm applause final. Applause convinced that seal pride for the Orchestra and rediscovered the pleasure of being able to count on a promising, young bushy and professional presence.






(gelormini@katamail.com)